Wapo Errs in Retracting ‘Hands-up Don’t Shoot’ Support

hands upto

On Sunday the Lexington Herald Leader here in Kentucky published an apology by Washington Post blogger and MSNBC commentator, Jonathan CapehartThe article was entitled “Ferguson policing concerns valid, but ‘Hands-Up’ not based on truth.”

Capehart’s retraction of initial support for the “Hands-Up” movement was based on his reading of the Department of Justice (DOJ) investigation that “filled in the blanks, corrected the record and brought sunlight to dark places.” The report forced Capehart (an African-American) “to deal with uncomfortable truths: Brown never surrendered with his hands up, and Wilson was justified in shooting.”

According to the Wapo journalist, his conclusion was based on the DOJ’s “exhaustive interviews with witnesses, cross-checking their statements . . . ballistics, DNA evidence and results from three autopsies.” All of these showed that officer Wilson “knew about the theft of cigarillos from the convenience store and had a description of the suspects . . . Brown fought with the officer and tried to take his gun.”

Capehart’s general conclusion: “. . . we must never allow ourselves to march under the banner of a false narrative on behalf of someone who would otherwise offend our sense of right and wrong.”

Capehart’s conclusion is disturbing on at least three counts. It first of all ingenuously accepts the Department of Justice as a disinterested arbitrator.  Secondly, it simply accepts the false conclusion that Officer Wilson had no alternative but to kill Michael Brown, shooting him six times.  And thirdly, both Capehart’s article and the DOJ report reinforce the erroneous impression that police officers are under constant threat and so can be excused for their over-reactions.

Is the DOJ disinterested? Hardly – at least not if we keep the big picture in mind. Remember, there is an encroaching police state in our country defending the interests of the 1% against the rest of us. Under the aegis of the DOJ, increasingly militarized police forces have gradually assumed the role of occupying armies, especially in communities of color.

Moreover, in representing the elite, government agencies routinely lie to us. At what point do we conclude that they have lost credibility as disinterested investigators, and discard out of hand any claims that support the forces of DOJ-sponsored occupation?

However, even if we accept the Department’s report as endorsed by Jonathan Capehart, the question remains, did Officer Wilson have no alternative but to use deadly force on Michael Brown? Clearly the answer is no.

Wilson’s alternatives were at least three. He could have (1) stayed in his car and called for backup, (2) allowed Brown to “escape” and later arrest him (with suitable reinforcement) at Brown’s home which was known to the police, or (3) in the worst of circumstances, shot the unarmed Brown in the legs to wound rather than kill.

The fact that such alternatives did not occur to Wilson underscores the poor training of police in our country. Clearly all of them are instructed on how to use their deadly force weapons. Evidently however, they are not sufficiently trained on how and when not to use them.

As for the hazards of policing, it doesn’t even rank among our country’s ten most dangerous jobs. Those belong to loggers, fishermen, pilots, roofers, steel workers, garbage collectors, electricians, truck drivers, farmers, and construction workers.

That list puts into perspective the “I feared for my life” defense inevitably invoked by police allegedly mistaking wallets, pens, candy bars, and sandwiches for lethal weapons.

As retired NYPD detective, Graham Witherspoon puts it: if policemen are that afraid to put their lives in danger, they’ve chosen the wrong profession.  It would be better, he said, to “go home to mommy,” and find some other line of work.

Ironically, Darren Wilson and his defenders are correct in their claim that he was “just doing his job.”

That’s exactly the problem: the job of the law enforcement in our emerging police state is now to intimidate, control, and kill with impunity rather than to “serve and protect.”

In uncritically endorsing the DOJ’s “occupying army” model of policing, Capehart leads us to support (in the blogger’s words) a force that “would otherwise offend our sense of right and wrong.”

Cops Fearing for Their Lives: “Go Home to Mommy or Get another Job”

Police

Recent YouTube videos have treated us to the sickening spectacle of police again shooting unarmed black and brown men – one with hands raised, the other lying on the ground. The one with raised hands was shot 17 times by police in Pasco, Washington. The one on the ground was shot 5 times by 3 Los Angeles police officers with several others standing nearby.

Couple that with what we know of Ferguson and our government’s donation of military equipment to local (even rural) police forces in the name of fighting terrorism, and there’s ample cause for concern about U.S. policing. The names Michael Brown, Eric Garner, Tamir Rice, and others, reveal the swift and easy transition from “protect and serve” to “harass and dominate.”

Why are trigger-happy police officers so easily excused by simple invocation of their favorite mantra, “I feared for my life”?

Is it that the officers caught on tape are essentially cowards? Dangerous situations emerge when fear-filled men are given license to kill unarmed people with raised hands, or those lying on the ground, even when the latter are surrounded by five or six men in blue with guns drawn.  If the surrounding men were not uniformed, most of us would find their actions contemptible.

Of course, no one denies that policemen are on the whole good people and have very dangerous jobs. African-American and Hispanic communities themselves need and want good police in their neighborhoods, regardless of the officers’ skin color. And besides there are plenty of non-white officers on the Los Angeles and New York City police forces (though not on their Ferguson counterpart).

In any case, it is clear that there is something dreadfully wrong with police training. Obviously, their weapons instruction teaches them how to fire guns. It is evident however that officers need even more training about how to avoid firing those weapons. Backing off is not cowardly; neither is shooting to wound rather than kill.

As for the hazards of policing, it doesn’t even rank among our country’s ten most dangerous jobs. Those belong to loggers, fishermen, pilots, roofers, steel workers, garbage collectors, electricians, truck drivers, farmers, and construction workers.

That list puts into perspective the “I feared for my life” defense inevitably invoked by police allegedly mistaking wallets, pens, candy bars, and sandwiches for lethal weapons.

As retired NYPD detective, Graham Witherspoon puts it: if policemen are that afraid to put their lives in danger, they’ve chosen the wrong profession.  It would be better, he said, to “go home to mommy,” and find some other line of work.

Going to the Movies in Bangalore: “Elysium,” Snowden, Manning and Assange

Elysium

“Elysium,” the film starring Matt Damon and Jody Foster showed up in India this past weekend. My wife, Peggy, and I happened to be in Bangalore to celebrate her birthday. So we went to see the film – our first time at the movies since arriving in India about three weeks ago. (We intend to stay here another three months as Peggy’s Fulbright at Mysore University takes its course.)

“Elysium” has been panned by some as convoluted in plot, over-the-top in its acting, and filled with typically Hollywood violence as indestructible and robotic adversaries clash in hackneyed, interminable and highly unlikely fight scenes.

I however found “Elysium” strangely intriguing when viewed from our setting in India and in the context of our government’s furor over information leaks. From that perspective, “Elysium” was evocative of the Bhagavad Gita in pitting its protagonist against overwhelming odds in a fight to the finish for human liberation.

More specifically, “Elysium” played out in comic book fashion the battle of Edward Snowden, Chelsea Manning, Julian Assange and other information “criminals” against the overpowering state apparatus of a militarized, out-of-control and venal federal government.

To begin with, take the film’s setting – Los Angeles in 2054. The streets of Bangalore were a good prep for the film. Like L.A. in the film, they are polluted, over-crowded, and dirty. However, unlike the imagined L.A. of the future, Bangalore finds itself going in two directions at once, not simply downhill.

Bangalore is situated somewhere between decay and an undisciplined version of globalized commercialization. It features “branded stores” like The Gap, Nike, KFC, Pizza Hut, and Dominos alongside stalls and shops overflowing with goods of all description. The treatment of workers on this sub-continent (as exemplified in the recent factory collapse in Bangladesh), is not unlike workers take-it-or-leave-it dilemma in the film.

Then consider the film’s plot. It’s about Max, a factory employee (played by Matt Damon) who is injured on the job as he’s exposed to a fatal dose of radiation. With five days to live, he must find his way to “Elysium,” a human-fabricated planet floating above the earth. There the rich live in idyllic conditions, where life-saving medical care is readily available. “Elysium’s” story is about Max’s quest to reach for that star. Damon does so by stealing government secrets.

Meanwhile the government responds with extreme violence. It pursues Max in ways reminiscent of the U.S. pursuit of Snowden, Manning and Assange. Its security apparatus hunts him down relentlessly. He is pursued by an implacable, incredibly powerful mercenary agency. He is threatened by drones. Finally, he sacrifices his life so that the information he divulged might set others free.

All of this happens in an oppressive culture characterized by:

• Dominance of the military-industrial complex that completely subordinates politicians to business moguls.
• A high unemployment rate that makes it a privilege for workers to be exploited in the workplace as opposed to remaining jobless.
• A medical system that provides healthcare only to those who can pay for it.
• Total surveillance of everyone involved.
• Fail-safe border patrol that entirely eliminates refugees by killing those attempting to cross borders illegally.
• A highly brutal police force that acts with robot brutality, absolute lack of compassion, and over-all impunity.
• The use of drones to hunt down and eliminate dissenters.
• Women (personified in the Jodie Foster secretary of defense) who despite finally holding high office prove to be more heartless than their male counterparts.

So in the end, “Elysium” is about the fate of a low-level corporate employee like Edward Snowden. The secrets Max reveals show the Department of Defense violating Elysium’s own constitution that supposedly governs a highly polarized society and keeps the reins of power in the hands of a rich minority. While protecting and empowering the minority, the rules in place deprive the majority of the rights of citizenship.

The disclosure of the planet’s governing secrets not only exposes abuse of power, but ends up dethroning the elite, while enabling ordinary people to claim the rights that belong to them in virtue of their humanity. “Elysium” is about information as the key to revolution.

Very little of this is perceived by movie critics. A movie review in The Indian Times saw “Elysium” as just another Hollywood action flick. Without explanation, it remarked that “conspiracy theorists” might find it interesting, and that the film said something about immigration and health care.

I’m suggesting that “Elysium” says much more than that. It perfectly describes the direction in which our culture is traveling. It represents a story of hope. It’s about the triumph of the working class against overwhelming odds. “Elysium” is about the power of information and the heroism of people like Snowden, Manning, and Assange. As a cautionary tale, the film is a call to support whistle-blowers against our own corrupt “leadership.”

Too bad all that de rigueur Hollywood overlay of violence, chases and predictability obscures “Elysium’s” valuable message.