While visiting the French Riviera to visit a generous donor to Peggy’s Women and Gender Studies Program, we ended up in the Chapelle du Rosaire in Vence designed by Henri Matisse. Our very warm host accompanied us there. Peggy and I were anxious to go, since experiencing the Matisse cut-out display at the New York Museum of Modern Art (MOMA) last winter.
A very able docent explained the chapel to our group of perhaps 30 people. The windows were very like the cut-outs we had admired in the MOMA..
The altar was made to resemble bread. Notice the painting of St. Dominic on the right.
The stations of the cross on the chapel’s back wall were spectacular – stark black and minimalist, each numbered.
Bright chasubles were displayed outside the chapel in a small museum.
We learned that during an illness, while in his 80s, Matisse had advertised for a young, pretty nurse to care for him. The woman who won the job was quite plain, but also served (the docent told us) as Matisse’s “chaste model.” She later became a Dominican nun. And Matisse designed, built and adorned the chapel in her honor.
It was our great honor to absorb it all.
For me it all raised questions about art. What is it really? What is the nature of beauty? What does Matisse have to teach us about that?
What do you think?
2 thoughts on “What Makes Great Art Great? The Matisse Chappelle du Rosaire de Vence”
F.R. Leavis said that “all good art is moral.” Frost said that the artist goes down into that place where there are no words, and then returns to express that experience in art. The similarity to what mystics do, even the mystics of daily life (those who live their lives based on knowledge that resides beyond intellect), begs the question, are these processes not the same? Is the source of that knowledge beyond words not the same?
Thanks, Hank. I see Matisse gesturing towards that mystical consciousness you’ve expressed here. He does it in such a simple way. I think he’s telling us that it’s accessible to all of us.